Julie Anne Greenberg is an artist living and working in Raleigh, North Carolina (USA). Julie’s approach to color is intuitive and her approach to printmaking is experimental. Her layered, paper relief works are created using screenprinting techniques through the exposure of natural textures such as sand, water, and other materials onto screens. Julie also works with spray acrylic and pigment on printed paper, cut paper and constructed relief work.

Hilary Lorenz is an artist living and working in Abiquiu, New Mexico (USA) and in remote wilderness cabins whenever invited. Her approach to color is informed by her environment and process. Hilary's approach to printmaking is physical and direct and her bold, expressive work is created with relief printmaking, marbling, collage, and watercolor drawings. Her large-scale linoleum block printed and cut paper installations are derived from her physical exploration and relationship with the natural world.

Alex Lukas is an artist living and working in Santa Barbara, California (USA). Their approach to color is often practical, and their approach to printmaking focuses on the distribution of printed ‘zines and ephemera, alongside the incorporation of printmaking techniques as tools for drawing and painting. Their elaborate publishing projects and research-based projects are created with Risography, serigraphy, and offset lithographic printmaking techniques incorporated into multifaceted, cross-disciplinary visual projects.

Charles Beneke is an artist living and working in Akron, Ohio (USA). His approach to color is thoughtful and experimental. Charles works with diverse printmaking techniques, most recently focusing upon lithography, screenprint, and letterpress. His prints and installations have been driven by a desire to effect change in individuals’ responsibility related to climate change and social justice.

Arron Foster is an artist living and working in Kent, Ohio (USA). His approach to color is intuitive and rooted in his exploration of place, and his approach to printmaking is interdisciplinary and project driven. Arron's research-based work is investigative and involves observing, studying, and documenting specific locations using print media and installation. He hopes that his work will encourage interest and empathy for the spaces we occupy.

Denise Karabinus is an artist living and working in Honolulu, Hawai’I (USA). Her approach to color is harmonized and her approach to printmaking is sculptural. Denise’s organic, transformed and layered prints are created with intaglio, woodblock, chine collé and drawing processes.

John Hitchcock is an artist living and working in Madison, Wisconsin (USA). His energetic approach to color is not always planned and his approach to printmaking is intense. The symbols and stories (including abstract representations, mythological hybrid creatures and military weaponry) in John’s work are created with screenprint, lithography, paper dye and relief print techniques.

Rachel Livedalen is an artist living and working in Texas (USA). Her approach to color is referential and her approach to printmaking involves combining printmaking processes and methods with painting. Rachel’s work references art history and pop culture and is created with screenprinting and stencil techniques, alongside airbrush and acrylic painting.

Jill AnnieMargaret is an artist living and working in Boise, Idaho. Her approach to color is intuitive and her approach to printmaking is adventurous. Jill’s varied and unconventional work utilizes the processes of screenprint, etching, monotype and relief to create immersive experiences for the viewer.

Janet Ballweg is an artist living and working in Bowling Green, Ohio (USA). Her approach to color is relative with an eye toward the nostalgic, and her approach to printmaking is based on construction, deconstruction, and re-construction. Janet’s work focusing on the domestic landscape is created using screenprinting techniques coupled with digital 3d modeling and 2d imaging, and she also works with polymer plate intaglio methods.

Kat Richards is an artist living and working in Fayetteville, Arkansas (USA). Their approach to color is one of foraging, and their approach to printmaking involves assemblage. Kat’s fanatical, blunt and equivocal work is created with monoprinting techniques and three-dimensional materials which involve wood, felt, metal, and fabric.

Babette Cooijmans is a visual artist who lives and works in Antwerp (Belgium). She brings color to her images in an intuitive manner. In her work she explores the sense of place. Babette directly draws patterns from her experience of landscape and uses mainly lithography or silkscreen to reproduce these patterns and layer them to create unique works.

Laura Bigger is an artist living and working in Kirksville, Missouri (USA). Her approach to color is associative, and her approach to printmaking is varied. Her symbolic, disorienting and surreal work is created with intaglio, relief, silkscreen and lithographic printmaking techniques. Currently Laura is working on a series of monoprints that experiment with opposing elements such as light (reflection) and dark (absorption) to represent a range of metaphorical outcomes or pathways. 

Jennifer Ghormley is an artist living and working in Denver, Colorado (USA). Her approach to color is site-specific, and she chooses her color palette based on the content or meaning of the artwork, as well as the specific audience the piece is for. Jennifer’s approach to printmaking is non-traditional and her fun, playful, engaging, unique, mysterious and unusual multiples are created with woodcut, screenprint, monoprint and trace monotype techniques. She also works with cuts, folds, pins, sewing, thread and shapes.

Joseph Lupo is an artist living and working in Morgantown, West Virginia (USA). His approach to color is appropriation-based, and his approach to printmaking involves concept dictating process. Joseph’s comic imagery, with its confusing or poetic text, is created using CMYK silkcreen, relief and intaglio in combination with laser-cut plates, and risograph printing.