Mark Hosford is an artist living and working in Nashville, Tennessee (USA). His approach to color is intuitive, and he is glutton for punishment in his approach to printmaking. Mark’s playful, curious, and mystical work is created with screenprinting and relief printmaking techniques. His work is mostly drawing-based, and he occasionally works with animation and other materialistic flights of fancy.

Heather Kahn-Pyatt is an artist living and working in Boulder, Colorado (USA). Her approach to color is both formal and intuitive, and her approach to printmaking is iterative. Her textural and evolving work is created with serigraphy, xylography, linocut, monotype, and monoprint printmaking techniques, Her other ways of working include hand drawings, painting, and pochoir. Currently, Heather is working on continuing to develop work based on a handful of themes that she has been exploring for the past couple of years, hopefully creating both larger, unique prints as well as editions.

Sangmi Yoo is an artist living and working in Lubbock, Texas (USA). Her approach to color reflects personal and public environments, and her approach to printmaking involves an economy of layering colors. Sangmi’s architectural work simulates optical illusions in conjunction with tangible realities. She uses screenprinting, laser engraving and risograph printing, among other media, to create installations with constructed print panels that are hand-cut or laser-cut.

Shane O’Driscoll is an artist living and working in Cork, Ireland. His approach to color is intuitive, and his approach to printmaking is redactive and experimental. Shane’s graphic, bold and bright works are created with silkscreen and letterpress printmaking techniques. He also works with painted murals and sculptures. Currently Shane is working on a large corporate commission and co-directing a street art project in his home city.

Tracy Featherstone is an artist living and working in Cincinnati, Ohio (USA). Her approach to color is unrepentant and she has a call-and-response approach to printmaking. Tracy’s experimental, tactile and boundary-less works are created with screenprint, relief and collagraph printing techniques. She also works with drawing, sculpture, ceramics and textiles.

Julie Anne Greenberg is an artist living and working in Raleigh, North Carolina (USA). Julie’s approach to color is intuitive and her approach to printmaking is experimental. Her layered, paper relief works are created using screenprinting techniques through the exposure of natural textures such as sand, water, and other materials onto screens. Julie also works with spray acrylic and pigment on printed paper, cut paper and constructed relief work.

Arron Foster is an artist living and working in Kent, Ohio (USA). His approach to color is intuitive and rooted in his exploration of place, and his approach to printmaking is interdisciplinary and project driven. Arron's research-based work is investigative and involves observing, studying, and documenting specific locations using print media and installation. He hopes that his work will encourage interest and empathy for the spaces we occupy.

John Hitchcock is an artist living and working in Madison, Wisconsin (USA). His energetic approach to color is not always planned and his approach to printmaking is intense. The symbols and stories (including abstract representations, mythological hybrid creatures and military weaponry) in John’s work are created with screenprint, lithography, paper dye and relief print techniques.

Rachel Livedalen is an artist living and working in Texas (USA). Her approach to color is referential and her approach to printmaking involves combining printmaking processes and methods with painting. Rachel’s work references art history and pop culture and is created with screenprinting and stencil techniques, alongside airbrush and acrylic painting.

Janet Ballweg is an artist living and working in Bowling Green, Ohio (USA). Her approach to color is relative with an eye toward the nostalgic, and her approach to printmaking is based on construction, deconstruction, and re-construction. Janet’s work focusing on the domestic landscape is created using screenprinting techniques coupled with digital 3d modeling and 2d imaging, and she also works with polymer plate intaglio methods.

Babette Cooijmans is a visual artist who lives and works in Antwerp (Belgium). She brings color to her images in an intuitive manner. In her work she explores the sense of place. Babette directly draws patterns from her experience of landscape and uses mainly lithography or silkscreen to reproduce these patterns and layer them to create unique works.

Laura Bigger is an artist living and working in Kirksville, Missouri (USA). Her approach to color is associative, and her approach to printmaking is varied. Her symbolic, disorienting and surreal work is created with intaglio, relief, silkscreen and lithographic printmaking techniques. Currently Laura is working on a series of monoprints that experiment with opposing elements such as light (reflection) and dark (absorption) to represent a range of metaphorical outcomes or pathways. 

Joseph Lupo is an artist living and working in Morgantown, West Virginia (USA). His approach to color is appropriation-based, and his approach to printmaking involves concept dictating process. Joseph’s comic imagery, with its confusing or poetic text, is created using CMYK silkcreen, relief and intaglio in combination with laser-cut plates, and risograph printing.

Addoley Dzegede is an artist living and working in Pittsburgh, Pennsylvania and also in Tulsa, Oklahoma (USA), where she is a Tulsa Artist Fellow. Addoley’s approach to color is unabashed and she has a mixed-media approach to printmaking. Her patterned, nuanced, referential work is created with screen printing and block printing, and she also works with batik, casting, dyeing, weaving, sewing, netting, carving, video, assemblage, book arts and ceramics.

Chadwick Tolley is an artist living and working in Augusta, Georgia. His approach to color is based on principles of visual hierarchy; starting with light analogous background layers, then moving to split complimentary hues, tones and shades for key images. His approach to printmaking is to treat each print as a visual documentation of process. Currently he is working on various projects that include solo and group exhibitions, zines and portfolio exchanges.